A rabid St. Bernard conducts a reign of terror in the small American town Castle Rock. Donna Trenton (Wallace) and her son Tad (Pintauro) are trapped in a malfunctioning Ford Pinto and the rabid dog, Cujo, has them cornered and nowhere to run.
“Opera” is fairly giallo-esque with the black gloved killer, his black hood and preferred use of a knife but Argento basically uses the story as a springboard for some over the top set-pieces, wild and horrific imagery laced with bombastic music ranging from sweet ballads to famous opera numbers to heavy metal, tons of images of ravens and some incredible camera acrobatics.
Mostly a thriller but seriously dabbling in the slasher genre; “10 to Midnight” is a crackerjack flick that’s one of Bronson’s best 80’s efforts. He’s also allowed some room to give a performance and the veteran actor has a commanding presence and makes Leo a compelling character despite some very questionable behaviour.
Dempsey Cain (Reeve) is a dedicated and highly intelligent cop on the rise who’s always looking out for his kid brother Nick (Edward Kerr) who’s also on the force. Nick is having an affair with Dempsey’s wife Gail (Kim Cattrall) and there’s also a fellow cop, Alan,(Joe Mantegna) who’s displeased at how much Dempsey is impressing the top brass with his investigation skills.
The ultimate Cult-Christmas flick belongs to a movie that’s simply titled “Black Christmas” (1974). A low-budget Canadian effort that didn’t receive much fanfare when initially released; it has gained near immortal status among horror buffs ever since and for many viewers, like myself, it’s required viewing every holiday season.