Eccentric millionaire Lionel Twain invites five of the most renowned and respected detectives in the world to his isolated mansion for a dinner and a murder. Greeting them is blind butler Bensonmum who only receives help from a hired deaf/mute maid who has a long list of things she doesn’t do; among them cooking. Before the night is over Twain promises that a murder will occur and the five best sleuths will be completely stumped.
Less than a year ago (27th June to be exact) I posted a review on “D-Tox” In conclusion of my earlier review I mentioned that the film was in serious need of some loving from niche labels (Arrow Video, Scream Factory etc.) and, in a small way, that has happened with MVD Marquee Collection’s Blu-ray release that came out on April 14th…
I’m not going to suggest that “A Kiss Before Dying” is some forgotten masterpiece but this little studio title has become somewhat of a cult item and it’s a film that I keep revisiting at regular intervals. The end product shows obvious signs of post production tinkering; the engrossing story leaves a number of interesting avenues unexplored and it’s overly rushed.
Back in 1998 (or so) I heard about this upcoming slasher flick, directed by the same man who brought us “I Know What You Did Last Summer” (1997), and starring none other than big time A-lister Sylvester Stallone alongside such veterans as Kris Kristofferson, Robert Patrick and Tom Berenger. Described as a combination of thrills and slasher elements from the likes of “Friday the 13th” with a setting that reminded you of Agatha Christie’s “Ten Little Indians” (with a nod to The Overlook Hotel); my interest was piqued and then some.
Mostly a thriller but seriously dabbling in the slasher genre; “10 to Midnight” is a crackerjack flick that’s one of Bronson’s best 80’s efforts. He’s also allowed some room to give a performance and the veteran actor has a commanding presence and makes Leo a compelling character despite some very questionable behaviour.
A classic in the slasher movie cycle but completely dependent on mood and old fashioned suspense instead of blood and gore; “When a Stranger Calls” is in many ways a trend setter but differs from most slashers with it’s emphasis on the killer’s psychological state and the detective who’s hunting him.