Drama

Buffy – “The Zeppo” and “A New Man”

I’m a huge fan of “Buffy the Vampire Slayer” (1997-2003). Although the show is highly regarded for a variety of reasons it is, and will be, pigeonholed in the teen supernatural/drama category with the likes of “Charmed” (1998-2006) and Kristen Stwewart’s “Twilight” film series (2008-2012) and be easily dismissed by many “serious” watchers. That’s a shame and in my twenties I was fairly obsessed with convincing others of the show’s genuine quality in just about every department and felt bummed they wouldn’t even give it a go. Just the name Buffy the Vampire Slayer was enough to dismiss it as pure nonsense. But thankfully those that did give it a go recognize how good a show it was. This had exceptionally good and layered writing and creative world building, a terrific ensemble cast and top notch production values, particularly after Seasons 1 and 2 had displayed the quality at work.

Sadly now three actors from the series have passed on. Michelle Trachtenberg played Buffy’s sister, Dawn Summers, and was introduced in Season 5. She was only 39 years old. In 2026 series regulars from the beginning, Nicolas Brendon and Anthony Stewart Head, passed on ages 54 and 72. This prompted me to re-visit two particular episodes that spotlighted the characters Brendon (Xander Harris) and Head (Rupert Giles) played as they were both huge fan favourites.

Death Becomes Her (1992)

Fading stage and film star Madeline Ashton is struggling to draw a crowd in her latest musical. Old friend Helen, along with her fiancée Ernest, pays her a visit and introduces Madeline to her plastic surgeon soon-to-be. Madeline is smitten by Herman and swiftly steals him away from Helen. The scorn woman becomes an obese recluse and swears bloody vengeance on Madeline.

Warning Sign (1985)

A government run research facility called BioTek Agronomics deals, on the surface, with genetically engineered corn that will improve farming considerably. But what the government is really doing is sponsoring a germ-warfare program which be can activated should the Soviets launch an attack on the USA. At the end of a normal working day the biohazard alerts appear on the monitor and security guard Joanie follows protocol and effectively puts BioTek on lockdown.

Alone in the Dark (1982)

Dr. Leo Bain runs a mental institute called The Haven. He believes in unorthodox treatments and refers to his patients as voyagers and maintains that they be treated as human beings. Most of the patients are considered relatively harmless apart from four individuals who are incarcerated on the third floor of the establishment and it’s the only floor with maximum security.

Four Amicus portmanteau films

From way back I remember seeing the phrase; “A portmanteau film”. It was associated with a film made by Amicus Productions that I had on DVD. It was a double feature release that had “Tales From the Crypt” (1972) and “Vault of Horror” (1973). For years that word, portmanteau, stuck with me without me knowing at all what it meant. Turns out it’s just a fancy alternative for Anthology film.
Amicus made seven portmanteau films in all and were active in the filmmaking business in the years 1962 to 1977. At it’s best the studio even rivalled the legendary Hammer Film Productions. I’m quite a fan of anthology films and decided to raid my collection and see what I had. Turns out I must have leant out my DVD of “Tales from the Crypt”/”Vault of Horror” because it was completely MIA but I do possess four quite good Blu-ray releases of Amicus films.

I, Madman (1989)

I remember when “I, Madman” was issued on Blu-ray in 2015 I couldn’t wait to get my hands on it. It’s stylishly set up as the film’s villain is introduced in the fictional world of author Malcolm Brand’s pulpy horror novel that’s gotten hold of Virginia’s imagination. As the film progresses the villain, in a variety of icky incarnations, appears in both the real world Virigina inhabits and in the fictional world she’s smitten with.

Two 90’s Hitchcockian thrillers; “Shattered” and “Final Analysis”

There’s a word you can look up on Wikipedia; Hitchcockian. Meaning; “Hitchcockian films are those made by various filmmakers, with the styles and themes similar to those of Alfred Hitchcock”. The master of suspense’s influence cannot be underestimated, and I doubt many filmmakers had as great an effect on the film industry (this is of course debatable). His filmography is huge and filled with classics in the suspense genre. Not a calendar year goes by without me visiting at least a few of the master’s films. Then there are also a few Hitchcockian thrillers that I’m quite fond of and I’d like to cast a light on two fairly forgotten titles. They’re both early 90’s flicks, definitely Hitchcock inspired and set in San Francisco.

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