Ever since “Scream” (1996) re-charged the horror industry that was, at the time, slowly migrating towards Direct to Video the genre has stayed relevant among A-listers and, obviously, below that as well. A number of exciting talent were able to take advantage of this boost early on; among them Australian born director Jamie Blanks, an obvious horror enthusiast who made two noteworthy entries in the “New-age” slasher category.
Five years after surviving a night of terror at the hands of Jason Voorhees; Tommy Jarvis finds himself in a rural halfway house in New Jersey for mentally disturbed teenagers. Ever since that fateful night Tommy has been, more or less, a basket case and has never gotten the image of Jason out of his mind.
Before long a series of murders in the area shake up the local community and soon the killer’s sights are on the residents of the halfway house. Could it be that Jason himself is back from the dead and committing these murders?
It’s that time again and horror buffs are re-watching the Halloween series. Trouble is nowadays that the series has four timelines! For this year I chose the option of watching the Michael vs. Jamie storyline covered in “Halloween 4: The Return of Michael Myers”, “Halloween 5: The Revenge of Michael Myers” and “Halloween: The Curse of Michael Myers”.
These standard slashers don’t really need a synopsis but here we go! – Under a campfire on a dark night Max (Neumann), owner of a camp for gifted children, tells staff and campers the tale of Madman Marz (Ehlers); a deranged farmer who slaughtered his family in a nearby house. Legend has it that if you speak his name above the sound of a whisper he’ll come for you.
Less than a year ago (27th June to be exact) I posted a review on “D-Tox” In conclusion of my earlier review I mentioned that the film was in serious need of some loving from niche labels (Arrow Video, Scream Factory etc.) and, in a small way, that has happened with MVD Marquee Collection’s Blu-ray release that came out on April 14th…
“Pieces” is an unapologetically sleazy and gory slasher film without any socially redeeming qualities to hide behind. It’s misogynistic, overall in bad taste and, in the end, completely gonzo so there’s no way of taking it seriously. It’s there for the bloody set-pieces and the gratuitous nudity and so it goes all out in delivering those.