I do have a very soft spot for “The Watcher” and view it regularly. Formula movies resemble comfort food in a lot of ways and can be just the thing to close off an average day and gets more than a passing grade as a decent time killer on a slow night.
The mystery surrounding Jack the Ripper and his killing spree has fascinated amateur sleuths as well as bona fide detectives for well over a century. Much of said mystery stems from the fact that the killer was never caught and many theories have emerged as to his identity. The theory presented here is very well pieced together, very entertaining to watch unfold and certainly a juicy piece of conspiracy theory for those interested in the English elite in the 19th century.
An Ouija board was left in the apartment and Paige makes contact with a spirit that calls itself Susan…
The script is decently written and functions as a bit more of a murder mystery than the first “Witchboard”. It’s not predictable and has a few surprises up it’s sleeve and inserts some good humour in places. The way Paige connects the dots is done in a fairly believable way and the film is well paced.
At Alpine University the film students are competing for the coveted Hitchcock award. Ace student Travis is considered the likeliest to win but fellow student Amy impresses Professor Solomon with her idea of doing a horror short based on urban legends. Soon the students of Alpine start turning up dead and just maybe someone wants the Hitchcock award badly enough to kill for it.
Dame Agatha Christie’s 1939 novel “Ten Little Indians” (which initial title was quite edgy (and it’s easy to google) and quickly changed to “And Then There Were None” when it was published in the US in 1940) is one of the Queen of Suspense’s most enduring piece of literature. It’s a remarkably grim novel whose basic plot has been imitated countless times and undoubtedly will continue to inspire more works for the unforeseeable future. In the 20th century there were four English speaking film adaptations of the novel produced in 1945, 1965, 1974 and 1989 that greeted audiences but there was one fact that not everyone knows that tied all the films together in a peculiar way that differed from the novel. When the novel was adapted for the stage Dame Agatha herself changed the ending and altered the plot slightly. No doubt a reason for this was partly to let theater patrons depart on a slightly happier note but also some key things would have been very difficult to realize on stage that is much easier to communicate in a novel. The following film versions were all adapted from Christie’s stage version and so they did not faithfully adhere to the nihilistic tone that so distinguishes the novel from the rest of her work.
“Terror Train” is excellent. It has everything that a slasher film fan could want in spades and delivers it with a straightforward narrative that’s blissfully free of absurd red herrings that make no sense. That said it does present a possibly implausible revelation but it actually ends up being a clever mislead in a film noted for it’s twist free nature. The script for “Terror Train” is pretty good.
My favourite director is John Carpenter and I’ve spent an un-Godly amount of time devouring his work for more than 30 years. I’ve been rather hesitant at sharing my thoughts on his films on my blog as so much has been written about them and they’ve been fairly well dissected by many. But what the heck! I recently got into a Carpenter mood and viewed three of his early features and wanted to write a few things down.
My personal favourite of his is “The Fog”. It’s not what I consider his best work as I think “The Thing” is his crowning achievement. The one I’ve viewed most often is “Halloween” and the whole Michael Myers franchise is a big part of why horror/slasher films got a hold of me early on and have kept me interested for all these years.
These three early features by Carpenter are movies I revisit regularly and think very highly of.
High school friends Julie, Helen, Barry and Ray accidentally hit a man with their car after a night of partying. Instead of doing the right thing and report the accident they decide to get rid of the body in fear of what would happen to their futures if they came clean. A year later Julie gets an ominous message simply stating “I know what you did last summer” and soon it’s apparent that the group’s buried secret is coming back to haunt them in deadly ways…