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The episode is fast paced, quite funny on occasion and, as said, features real villains who are quite menacing. Duffy is once again terrific.
The man from Atlantis with Patrick Duffy

Mark Harris heads into off-screen adventure-land

Mark’s final adventure sees him infiltrating a traveling carnival when a worker there dies from drowning. The government suspects two workers there of planning a heist that somehow requires a swimmer. 

The short lived series ends on a high note. The action takes place entirely on land this time around and no mention is made of Dr. Merrill. C.W. shows true signs of admiration towards Mark; a real friendship is in the making here. Mark discovers the thrill of sexual attraction and feels all tingly when he has his first kiss. And the villains here are the most sinister in the series and are actually very mean spirited and well played by Billy Barty (so memorable in 1978’s “Foul Play”) and Anthony James (probably best remembered in “The Naked Gun 2 1/2”). 

The episode is fast paced, quite funny on occasion and, as said, features real villains who are quite menacing. Duffy is once again terrific here as he starts to develop some feelings for the Carnival’s manager (a very likable Sharon Farrell) and they’re interplay is funny and well played out. The only miss here is a rather uninspired climax when Mark overpowers Barty and James; somewhat of a let down after an OK set up. 

This last episode has no form of closure, obviously, but it’s still an OK spot to bookend this series. It was all over the place, had a huge identity crisis and I’m not surprised it was axed. It’s good to see that Mark has discovered the ladies and I sincerely hope that he found out where come from; off screen. 

So I bid farewell to the “Man From Atlantis”; it was short, head scratching at times but quite charming in it’s silly kind of way. There was a bona-fide classic episode (“Shoot-Out At Land’s End”) that will definitely get future spins in my player and a few others that might get revisited as well (the TV movies were all quite decent as well).

Oddur BT

Oddur BT

I mostly enjoy writing about films that fit into the category „Cult“ in one way or another. It‘s, frankly, where my comfort zone lies. It would be easy to just focus on horror films (by far the most films labeled „Cult“ are horror films) but the category also includes so many films that are really un-classifiable. Many of these movies are so truly enjoyable and you don‘t even know exactly why. These are often films that are considered very poor, very cheap, very amateurish and some are just plain old studio films that got panned or performed very poorly when released. This is the stuff I like to write about and I hope you like reading about.

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I mostly enjoy writing about films that fit into the category „Cult“ in one way or another. It‘s, frankly, where my comfort zone lies. It would be easy to just focus on horror films (by far the most films labeled „Cult“ are horror films) but the category also includes so many films that are really un-classifiable. Many of these movies are so truly enjoyable and you don‘t even know exactly why. These are often films that are considered very poor, very cheap, very amateurish and some are just plain old studio films that got panned or performed very poorly when released. This is the stuff I like to write about and I hope you like reading about.

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