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“Kingdom of the Spiders” was a low-budget production but a big portion of it was spent on procuring 5.000 tarantulas to stage the attacks and display a town riddled with them.
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Review Kingdom of the Spiders (1977)
Director John "Bud" Cardos
Writers Richard Robinson and Alan Caillou (Screenplay) – Jeffrey M. Sneller and Stephen Lodge (Original Story)
Starring William Shatner, Tiffany Bolling, Woody Strode, Lieux Dressler and David McLean
“It’s not just a bunch of spiders! It’s a migration caused by some sort of imbalance” – Diane Ashley

A cow drops dead on a farm in a rural town in Arizona. Veterinarian Rack Hansen (Shatner) can’t figure out why and sends a blood result to higher ups in the city. A littler later entomologist Diane Ashley (Bolling) shows up and informs Rack that the cow died of lethal doses of spider venom. Seems that over usage of DTS has not only reinforced the arachnid’s immunity to them but it has diminished their natural food supply. Before long thousands upon thousands of tarantulas go on the warpath against humans and the friendly little Arizona town is in grave danger. 

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The 1970’s gave birth to the Disaster film (“Earthquake”, “Towering Inferno” – 1974 – for example) and a sub-genre came from that and focused on nature striking back at humans. It started with a bang with the near flawless “Jaws” (1975) but fairly soon money hungry producers came on board and a bunch of B-movies came into the fray. A carbon copy of “Jaws” came just a year later with “Grizzly” (1976) by master B-movie filmmaker William Girdler and he delivered after that the eco-friendly warning that was “Day of the Animals” (1977) and another sub genre had taken off. Into that category “Kingdom of the Spiders” falls conveniently as it paints a doomsday picture of arachnids taking revenge on humans thanks to their tampering with Mother nature. The B-movie treatment of spiders was nothing new as it was treated fairly well with “Tarantula” (1955) for the atomic age of pro-war entertainment and in the 70’s with the schlocky “The Giant Spider Invasion” (1975) but those featured giant monsters and had a big sci-fi feel to them. The arachnids in “Kingdom of the Spiders” are just your natural size with their strength based solely on their numbers.

“Kingdom of the Spiders” was a low-budget production but a big portion of it was spent on procuring 5.000 tarantulas to stage the attacks and display a town riddled with them. Director John “Bud” Cardos (“The Day Time Ended” – 1979), a B-movie specialist, stages a number of effective set pieces involving huge amounts of tarantulas and thanks to a committed cast it really does look like those spiders are attacking them. It really is a minor miracle as tarantulas always run away from humans instead of approaching them but basic movie magic here creates another reality as this is years and years away from CGI. As the films draws to a close the survivors are cut off and the arachnids have them cornered and Cardos beautifully builds a foreboding and suffocating atmosphere and maintains it for the creepy climax.

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The script ain’t half-bad either. Though the characters aren’t exactly multi-dimensional the viewer gets invested in Rack. An emotional core is struck when Rack informs Diane that his brother died in Vietnam and he tries to take care of his wife and daughter. Other characters are fairly believable and none behave in stupid fashion when danger arises. You actually feel for some of these characters when they perish and that’s more than a lot of B-movies manage to elicit from viewers. The whole eco-friendly warning angle is well handled, not too preachy and sets the action for some gut wrenching scenes.

The cast is good too. Shatner had recently done another horror B-movie with good credentials (“The Devil’s Rain” – 1975) and delivers another solid performance but he’s one of those actors who’s simply likeable and while not a great thespian he coasts easily on charisma. Tiffany Bolling is just fine as the entomologist and Woody Strode is always a forceful presence.

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The only negative here is the rather inappropriate and quite frankly boring country tunes that begin and end the movie. Most of the music score was licenced from pre-existing tracks and they fit well.

In short; in the category of “Eco-friendly B-movie horror” this flick sets the tone and delivers. Then check out “Day of the Animals” and you will get sucked into this sub-genre and want more.

Physical Copy

My copy of “Kingdom of the Spiders” is the Blu-ray from Code Red and it was re-issued just recently. The video quality is simply astounding and I can attest that it is a huge leap over the DVD’s from years back. The only minus is that it doesn’t include English subtitles but not everybody minds that. There is a bonus feature in the form of a Tiffany Bolling interview and a commentary track by Bolling and producer Igo Kantor. It’s a shame that the William Shatner interview from the old Special Edition DVD wasn’t ported over but you can see it on Youtube.

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Why physical copy?

I always encourage the acquisition of physical copies as I dread the day when films will only exist as files on computers and through streaming services. The companies that put the effort into making the discs, create new artwork or reproduce the originals, issue booklets and much more deserve all the financial support they can. Therefore, I will always mention the Blu-rays or DVD’s (and yes; also, if I review something streamed through Netflix or the like) even though I gain nothing from it personally.

Oddur BT

Oddur BT

I mostly enjoy writing about films that fit into the category „Cult“ in one way or another. It‘s, frankly, where my comfort zone lies. It would be easy to just focus on horror films (by far the most films labeled „Cult“ are horror films) but the category also includes so many films that are really un-classifiable. Many of these movies are so truly enjoyable and you don‘t even know exactly why. These are often films that are considered very poor, very cheap, very amateurish and some are just plain old studio films that got panned or performed very poorly when released. This is the stuff I like to write about and I hope you like reading about.

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About Me

I mostly enjoy writing about films that fit into the category „Cult“ in one way or another. It‘s, frankly, where my comfort zone lies. It would be easy to just focus on horror films (by far the most films labeled „Cult“ are horror films) but the category also includes so many films that are really un-classifiable. Many of these movies are so truly enjoyable and you don‘t even know exactly why. These are often films that are considered very poor, very cheap, very amateurish and some are just plain old studio films that got panned or performed very poorly when released. This is the stuff I like to write about and I hope you like reading about.

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